My Rating: 3.5 stars
One of the things I remember most about Brianna Wolfson’s
debut novel Rosie-Colored Glasses, which I had read back in 2018,
was how emotionally resonant the book was for me. At the time, it was one of my favorite reads
of the year (one that I rated 5 stars of course) and, more significantly, it
was one of the few books that actually brought tears to my eyes as I was
reading. There were so many things I
loved about that book – the story, the characters, and most memorable for me,
the lyrical writing that made the story flow so beautifully.
Given that experience, it should come as no surprise that
when I heard Wolfson would have a new book out this summer, aptly titled That
Summer in Maine, I was ecstatic and knew right away that I had to get
my hands on a copy as soon as possible. Of
course, this also meant that I went into this book with very high expectations,
to the point that I automatically assumed that I would love this one as much as
I did her debut. Unfortunately, this was
not the case, and in the end, it fell quite a bit short of expectations for me. While Wolfson’s second book was written in
mostly the same lyrical style that had captivated me in her debut – plus it
covered the same theme of flawed families as well as the bond between mothers
and daughters -- everything else felt so
different this time around. Not only did
I find it difficult to get into the story this time (it took me until close to
the halfway mark before I felt pulled in), I also didn’t feel anything for the
characters, which really surprised me.
I had loved the characters in Rosie-Colored Glasses so
much that, when I had gotten to the end of that story, I didn’t feel ready to
let them go yet. With That Summer
in Maine, I actually felt annoyed with the characters for majority of
the story. Perhaps it was the inconsistency
in the way the characters were portrayed -- Hazel and Eve were supposed to be 16-year-old
teenagers, yet throughout most of the first half of the story, Hazel’s actions
and behavior made her come across like a much younger child, while the
descriptions of Eve in the second half made it seem like she could pass for someone
much older, perhaps a young adult even. The
unevenness of the characters’ portrayals from one section to another was a bit
jarring, which definitely affected the flow of the story for me. Also, using the format of writing letters to
recount Jane’s and Susie’s experiences with Silas during that fateful summer, while
it made sense based on their story taking place in the past, the writing style
felt a bit out of place with the rest of the narrative, almost like I was
reading two different books. Normally
this wouldn’t be a problem, but Wolfson has a unique writing style that was one
of the key aspects of why I adored her debut novel as much as I did, so the
contrast in style with those segments was particularly felt.
While the story and characters didn’t really appeal to me
this time around, one of the things I appreciated was the depth with which
Wolfson depicted the characters’ struggles in dealing with the complex family
dynamics at the center of this particular story. The idea of two families from completely
different walks of life, previously unknown to each other, discovering the
truth of their connection via two daughters born from two different affairs
with the same man – it’s a pretty complicated premise that Wolfson handled well
in the overall scheme of things.
Though this one didn’t quite live up to my expectations,
especially compared to this author’s debut novel, it was still a good read
overall – basically, this was a book that I liked well enough, but didn’t love. With that said, I still look forward to
reading Wolfson’s next work, though I probably should be more cautious about
not going in with high expectations next time.
Received ARC from MIRA / Harlequin via NetGalley.
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