Review: Eight Perfect Hours (by Lia Louis)

My Rating:  4 stars

As I'm sure it has been for many, I found the past two months to be especially difficult and stressful — part of this is because of everything going on in the world right now and the resulting negativity that seems to have permeated every corner of the globe.  On a personal level, having to deal with various concerns and issues related to work and family has been tremendously draining, to the point that, most days, I feel too exhausted to do anything that requires any level of sustained concentration.  Unfortunately, despite my best efforts, this has also started to affect my reading life in that my inability to focus has made reading certain types of books more challenging.  It also didn't help that my last couple of reads have been more on the heavy side, with a few that actually bordered on depressing.  

Given all of the above, I was at the point where I was in desperate need of a "palette cleanser"-type read that would help me forget about my worries (albeit temporarily) and hopefully get my reading life back on track. It is within this context that I decided to pick up Lia Louis's forthcoming release Eight Perfect Hours to read, even though a) I'm not usually a fan of romances, especially rom-coms,  b) I'm a bit of a cynic when it comes to relationships and so I'm not too keen on sappy, cliched, angsty love stories, and c) this book was pretty low on my "priority" list to read right now due to the fact that it publishes at the end of September and I have a slew of ARCs publishing before this one that I also need to get to.  But like I said earlier, I needed something that would get me out of this reading funk that I'd found myself in, and having read (and enjoyed) Louis's previous book Dear Emmie Blue, I figured at least I'm reading a familiar-to-me author.  Well, this one turned out to be a great choice!

As far as heartwarming romances go, Eight Perfect Hours definitely checks all the boxes. While the story itself wasn't too original (and yes, the plot was absolutely predictable — everything panned out pretty much as I thought it would), I still enjoyed this one quite a lot (both from the story and characters perspectives).  One thing I noticed from reading Louis's previous book and now this one is that she has the ability to create realistic, relatable characters who are tremendously flawed and sometimes do frustrating things, yet we can't help but love them anyway (this goes for the main characters as well as the side ones).  With Noelle, the main protagonist in the story, I didn't always agree with her every decision, but I understood her struggles — of being torn between responsibility to family versus pursuing her own dreams, of feeling like she wasn't being seen, of living her life more for others than for herself, etc. — because I've experienced the same throughout my life, so I could definitely relate.  This was also one of the reasons why I found myself rooting for Noelle throughout the story, even though I already knew she would most definitely find her way to a happy ending (this is a romance after all).  And just like with Dear Emmie Blue, I loved all the side characters in this one nearly as much as I loved the main characters — the wonderful chemistry that all the characters had was a bonus that made this one all the more enjoyable.

Another aspect that I liked about this one was that the author was able to strike a good balance between lighthearted moments and the more serious ones, which I felt made this both a fun read as well as one with good emotional depth.  

For those who enjoy rom-coms, I definitely recommend this one.  Yes, the plot is predictable and there are romantic cliches galore, but the characters are endearing and the story overall is quite charming.  For me, this was exactly the "pick-me-up" I needed to get me out of my reading slump during this time.  I'm glad I decided to read this one!

Received ARC from Atria / Emily Bestler books via NetGalley

Review: The Removed (by Brandon Hobson)

My Rating: 3.5 stars

Brandon Hobson's The Removed is another book I picked up for book club and while I did enjoy it overall, there were some inconsistencies and issues with the story that made this a bit of a tedious read.

First off, I have to say that the writing here was excellent — in fact, the engaging and lyrical flow of the writing was one of the things I liked most about this book, especially the chapters narrated by Maria, which were by far the strongest parts of the story.  Those were the chapters that actually moved me the most on an emotional level and made me wish that the entire story revolved around Maria, Ernest, and Wyatt only without the other characters' story arcs (more on this later).  

While the writing was good, I did have some problems with the execution of the story, which I thought was a bit uneven.  Hobson introduces several heavy topics in this book — grief over the loss of a loved one, the dangers of racial profiling and stereotyping, terminal illness, substance abuse, plight of the indigenous and people of cope, etc — however I felt like the only topic that was thoroughly explored was grief…it almost seemed like perhaps Hobson tried to cover too much all in one shot and some of the other topics ended up falling by the wayside.

And that brings me to the most frustrating parts of this book — the story arcs involving Sonja and Edgar.  I felt like Sonja's entire story was unnecessary and added no value to the story (aside from the "reveal" near the end, though that still didn't justify the necessity of the rest of her story in my opinion).  I also had issues with the way Sonja's character was written, as most of her behavior throughout the story didn't really make sense, even when viewed through the lens of trying to cope with the grief of losing her brother. 

In terms of Edgar's story arc — well, let's just say that I didn't understand majority of it.  It seemed like Edgar's story was written incorporating magical realism, which is something I don't read much of so perhaps that's why it didn't work for me. I mean, plot-wise, I know what happened in Edgar's chapters, but I didn't really understand the point of it all.  It probably didn't help that there was also a lot of symbolism and metaphorical language in the telling of Edgar's story that gave it a dreamlike feel that didn't match with the other 2

narratives.  In addition, similar to Sonja's story arc, Edgar's story arc was unresolved (basically the plot dropped off suddenly, which made the arc feel incomplete) — and both arcs seemed to be completely detached from the main story about their parents, Maria and Ernest. It almost felt like I was reading 3 different unrelated stories, except that the way the book was structured, each chapter alternated between the 3 narratives — so I would read 1 chapter from Maria's perspective, then the next chapter would be Edgar's perspective, then Sonja, then Maria, etc.  Given that I only truly liked Maria's story, this kind of structure made the entire read a tedious and frustrating one. 

Overall, I would classify this one under "it's probably me, not the book."  Hobson is an award-winning author and I certainly don't doubt his writing prowess (after all, as I stated above, I did like the writing), but this book just wasn't for me. While I don't regret reading it, I feel like I spent way too much time on it than I should have. Ah well…onto the next book!!

Review: The Whispering House (by Elizabeth Brooks)

My Rating: 2 stars

I really wanted to like this book. The premise sounded interesting and based on the little I'd heard about the book, I was anticipating an atmospheric page-turner with serious gothic vibes. Actually, for the first 40-50 pages or so, I felt like this was the case, as the author did a pretty good job of setting the scene and creating intrigue around the house at the center of the story, Bryne Hall. Unfortunately it didn't last — for me, the story started to unravel early on, when the main character Freya Lyell returns to Bryne Hall again after her cousin's wedding and nonsensically inserts herself in the lives of Cory and Diana Bryne. Technically, there wasn't really a plot to speak of, as nothing much happens — but what annoyed me was that the little bit of plot that did happen was far-fetched and unrealistic. This was one of those stories where you pretty much have to suspend disbelief the entire time you're reading, otherwise it's hard to get through. 

 
Normally, I'm okay with lack of plot if the character development is good and I'm able to connect with the characters in some way. Sorry to say, this wasn't the case here — not only was every single character in this story very unlikable, they also felt like stereotypically-drawn caricatures going through the motions. The main protagonist, Freya, especially frustrated me to no end. One of the things I absolutely can't stand in books are grown up, adult characters who act like petulant children, as well as female characters who are portrayed stereotypically (i.e.: weak, hysterical, naive, irrational, emotional, wushu-washy, etc.) — unfortunately for me, Freya was both of these and worse. I hated how pretty much every single thing Freya did, every decision she made, was done in a way that made no sense whatsoever. From the get go, Freya is portrayed as naive and foolish, which I guess is the author's way of perhaps justifying why she makes one reckless decision after another throughout the entire story. Having said all that though, my biggest pet peeve is when the female character knows that doing certain things or going down certain paths is self-destructive and/or will for sure result in negative consequences either for herself or for others (oftentimes the character actually tells us so via her wn inner dialogue), yet she still insists on going forward with the decision — then, when others (usually a friend or family member) try to warn her or talk sense into her, she either goes ballistic and pushes the person away or she does the denial thing by playing dumb and pretending nothing is wrong. And that's just Freya — as if one annoying character wasn't enough, the author had to include an entire cast of them! Freya's father Roger was a jerk, her sister Stella was reckless, Cory Bryne was a delusional psychopath and his mother was a sinister witch — the only decent person in the story was Tom, but even he turned out to be annoying with his wishy washy personality.

Overall, I would have to say that this was a disappointing and frustrating read for me. The writing for the most part was decent, though I felt like the "gothic" vibe and the mystery piece totally didn't work — if this was supposed to be a psychological suspense novel, it completely failed in that aspect, as the main plot points were predictable (I pretty much figured things out already within the first few pages) and the intrigue of the "house" at the center of the story was overshadowed by the loathsomeness of its occupants. In the end, I also felt the story dragged out for way too long, though I think that was because, at that point, I couldn't bring myself to care anymore. While I'm not one to DNF a book once I've started reading, I do believe that, based on sheer annoyance level alone, this one would've been an exception — the only reason I didn't is due to this being a book club read, which made me determined to push through it. With that said, the reviews for this one seem to be all over the place, so I would say read both the positive and negative reviews to get a more balanced perspective before deciding whether to pick this one up.

Review: Beasts of a Little Land (by Juhea Kim)

My Rating:  4.5 stars



When I finished reading Juhea Kim's debut novel Beasts of a Little Land, the first thought that came into my head was that this did not read like a debut at all.  From the story structure to the development of the characters, to the historical details as well as the various themes and motifs incorporated into the narrative, the writing flowed so well and so seamlessly that I was completely immersed in this epic story from beginning to end.

 

The story spans a time period from 1917 to 1965 — a half century that bears witness to Korea's evolution over the years, as a Japanese-occupied territory up through World War II, and later divided into the North and South Korea that we are more familiar with in modern times.  Against this backdrop, we are introduced to two characters whose fates become inexplicably intertwined — JungHo, an orphan who roams the streets as a beggar, later becoming a revolutionary fighter for Korea's independence, and Jade, a peasant girl sold by her family to a courtesan school who later becomes one of the most sought after actresses in Korea.  As Jade and JungHo come of age amongst the changing landscape of their country, they experience moments both glorious and harrowing, but all have a profound impact on them in some way.  This is a story where all the supporting characters play vital roles in the narrative, but not only that, all of the characters – whether good or bad, endearing or despiscable – are all equally unforgettable.  One of the things I love most about this story is the complexity of the characters and the mixed feelings that evoked  – for example, with the Japanese generals Ito and Yamada, they are supposed to be the enemy and majority of their actions are indeed abhorrent, but then, at certain points, they reveal their humanity through certain acts of kindness or a redeeming factor that made it hard to despise them completely.  By the same token, there were also moments where I found it hard to root for some of the "good" characters, even with the understanding that some of the morally questionable actions they take are out of a need for survival.  I also found it interesting the way nearly all the characters that appear in the story are connected in some way, whether directly or indirectly, that is apparent to the reader, but not necessarily to the characters themselves.  This aspect, coupled with the atmospheric nature of the historical setting and time period, made for a truly immersive reading experience.  

With all that said, my one complaint would probably be that, given the epic nature of the story, I was expecting more emotional depth, which I felt was a bit lacking in this instance (hence the reason why I rated this 4.5 stars instead of 5).  Nevertheless, this was absolutely a worthwhile read, especially for historical fiction fans.  In addition to learning a lot about Korea that I didn't know before, I also appreciated the time period being one that isn't commonly covered in many historical fiction works.  I definitely recommend this book and at the same time, look forward to reading more from this author in the future.

Received ARC from Ecco via NetGalley.