Monday, September 19, 2022

Review: Lucy by the Sea (by Elizabeth Strout)

My Rating:  5 stars

This was a pandemic novel I didn't know I needed!  With Elizabeth Strout being one of my favorite authors, I will pretty much read anything she writes — so of course I was ecstatic to have been approved for an early copy of her latest novel, Lucy by the Sea,which brings back one of my all time favorite Strout characters, Lucy Barton.  This time around, it is the very early stages of the COVID pandemic and Lucy is whisked away to Maine by her ex-husband William, who, as a scientist, knows a thing or two about the situation going on with the virus.  Lucy agrees to go with him to the isolated house by the sea for what they both think will be "only a few weeks" (one of my favorite scenes was early on in the book when Lucy is in her apartment packing her things and trying to decide what to bring for what she anticipates will be a short stay in Maine — the laptop scene was classic "Lucy and William bantering over the most mundane things" and I loved the familiarity of it!).  As the weeks turn into months, the situation escalates, with Lucy and William eventually going into pandemic lockdown as things around the world become more and more dire. 

Just like with the previous Lucy books, we as readers essentially live inside Lucy's head the entire story as she narrates her day-to-day experiences (whether good or bad), observations, and feelings toward everything that happens.  As Strout does brilliantly with each of her novels, she provides keen insights into the human condition through her characters' astute observations and empathetic, heartfelt emotions that reflect the realities of our everyday lives.  One difference this time though, is that many of Lucy's experiences and sentiments hit extremely close to home, given the timeframe spanning recent events such as the pandemic lockdown, the George Floyd murder and subsequent protests, the January 6th insurrection, etc. — resulting in shared feelings of anxiety, fear, unease, and a sense of feeling unmoored in a country becoming more and more divided. 

I read Oh William! last year and while I did enjoy that one, I felt that focus was more on William's story rather than Lucy herself, and in that sense, it felt a little less relatable than the first book My Name is Lucy Barton did.  This new book, Lucy by the Sea, brought the focus back to Lucy, which I definitely appreciated, as it gave me the same poignant, relatable vibe that the original one did, which made me love this one just as much.

Fans of the Lucy Barton series will no doubt love this newest sequel, though it's definitely recommended to read the previous books before this one (except Anything is Possible, which is part of the series but doesn't focus as much on Lucy herself — I still need to read this one myself).  Also, Elizabeth Strout fans who have read her other books will love the Easter eggs scattered throughout the story, especially the appearances by other characters who featured prominently in some of her other works.  This added a "fun" element to the story that helped to balance out some of the "heaviness" of the subject matter for me. While I'm not sure if there will be another Lucy book after this one, I will absolutely read whatever else Strout comes out with in the future!

Received ARC from Random House via NetGalley.

Saturday, September 10, 2022

Review: All That’s Left Unsaid (by Tracey Lien)



My Rating:  5 stars

When I first read the premise for Tracey Lien's debut All That's Left Unsaid, I knew this was a book I wanted to read.  Comparisons to some of my favorite authors (Liz Moore, Celeste Ng, Brit Bennett) aside, I was intrigued by the case at the center of the story:  17-year-old Denny Tran attends a dinner at a local restaurant in Cabramatta, Australia (a suburb in Sydney) with his friends, but before the night is over, he is brutally murdered in plain sight of over a dozen witnesses, yet all of them claim not to have seen a thing.  The Tran family is devastated, but faced with an indifferent police force in a refugee enclave where the proliferation of drugs (specifically heroin) as well as violent crime have become commonplace, Denny's parents seem to have no other recourse but to accept the "bad luck" of their beloved son's murder.  But Denny's sister Ky refuses to let things simply get swept under the rug.  Desperate to assuage her feelings of guilt for leaving the family in order to pursue her own life in Melbourne (an act akin to "abandoning" the family and is severely frowned upon in traditional Asian households), Ky returns to Cabramatta and, after her brother's funeral, decides to seek out and interrogate each of the witnesses herself in order to find out the circumstances behind Denny's murder.  With each person she speaks to, Ky gets closer to understanding what happened to her brother, but at the same time, she discovers the myriad complexities and difficulties of navigating the path to justice and closure for her family in a community where its citizens are mostly resigned to their fates.

There was honestly so much to unpack with this story that it is impossible to cover every angle in a brief review such as this one (personally, I highlighted so many things in this book that were significant to me, it would take me pages and pages to parse all of it).  I will attempt to relay a few thoughts that stood out, but I encourage people to actually read this book in order to get the full experience.  

I do want to start off by saying that this book is technically incorrectly classified under mystery / thriller.  While it's true that the plot overall revolves around unraveling the "mysterious" circumstances behind Denny Tran's murder, it quickly becomes obvious (a chapter or so into the story, in fact) that his death is actually the trigger point for a deeply complicated and intricate exploration of community, society, class struggle, immigration, culture and assimilation, systemic racism, family bonds, parent-child relationships, generational trauma, mental illness, abuse, etc (and that's just scratching the surface).  The "mystery" itself was easy to figure out, which essentially rendered the ending anti-climactic, but the gut wrenching process of getting to that point was really the crux of what made this story work so well.  With its "social commentary" angle, I feel like this would've fit more appropriately into literary fiction, though from a time and place perspective — Cabramatta (which was an actual place in Australia) in the 1990s, during which time there truly was a heroin epidemic — there was also a historical element to the story as well that I didn't expect, but made the story even more compelling.

Before I go into talking about the characters, I wanted to comment on the title and structure. This book actually has one of the cleverest titles I've ever seen: it complements the book perfectly because when we peel back the layers, the story is essentially about "the many things that are left unsaid" by every character in the book — not just the witnesses from that night, but also the parents, Denny, and even Ky herself.  So in this sense, there is a deeper meaning to the title that can only be understood after reading and reflecting on the entire story.  Structure-wise, I love how the narrative alternated between various perspectives — sure, we got Ky's perspective primarily, but there were also chapters narrated from the perspectives of the witnesses as well as Ky's parents.  Through these chapters, we were able to get the backstories to the various characters, which helped us understand what ultimately drove each character's decision that fateful night.  Structuring the narrative this way not only made the story more powerful and poignant, it also helped make the characters realistic and relatable, which I felt was very important to this story overall.

Speaking of the characters, I truly appreciate the brilliant job that the author Tracey Lien did in the area of character development, especially with Ky and Minnie.  Reading this book was actually quite an emotional roller coaster for me because of the resonance I felt with the characters and so much of what they went through.  With Ky especially, I saw so much of myself in her — from her struggles with  identity and acceptance, to her analysis of her own shortcomings and insecurities, her feelings of anxiety related to the environment in which she grew up, and most significantly, her relationship with her mother.   I've always been drawn to stories about parent/child relationships, but those between Asian mothers and their daughters are especially resonant with me because of my cultural background and the hope that reading about these relationships will help me navigate the complex dynamic that exists there.

One of the other things I loved about this book was how, through the character of Ky (and Minnie to some extent), Lien so accurately expressed the realities of life for many Asian women like myself — daughters of immigrants (and/or refugees) who may or may not have been born in the Western countries where we grew up and currently live — and how many of the conflicts that we constantly deal with, be it the cultural expectations or the societal pressures that come with being Asian and female, greatly inform how we end up interacting with our parents (and with others as well).  I wanted to share the below passage from the book, which blew me away when I read it because it hit the nail on the head and made me feel "seen" in a way that so few books I've read in the past have been able to do.

"To anyone else, [his] reason would have been baffling. But Ky understood. She hated how well she now understood. After all, hadn't she kept every hurt she'd ever experienced from her own parents? Hadn't she hidden the bullying, the name-calling, the cruel acts of strangers, the times she'd been told to go back to where she came from, the ching-chongs, the pulled-back eyelids, the blondies with the Cabbage Patch Kids, the way she was forced to play the monster, the way she was asked why she couldn't just take a joke, the times she was told that Asian women were ugly, kinky, docile, crazy, nerdy, unworthy, the way she was dismissed by men, the way she was dismissed by white men, their comments about what Asian women were and weren't, what Asian women could or couldn't be, the way she smiled with her tongue pressed against her teeth even as an ache beat in tandem with her heart—hadn't she hidden all of that? And hadn't she lived her own ambitious, exciting, anxious, uncompromising life while knowing that she could never, ever, ever, ever tell her parents about what she had been through? Because knowing would break their hearts. Because she had to help them believe that their sacrifices had paid off. Because she had to help them believe that moving to a country where they didn't speak the language and weren't seen as individuals had been worth it. Because she had to convince them that they'd done right by their children, that no one had failed, that no one had been let down, that they were one of the lucky ones who'd followed the path and found success. It made perfect sense. You lied to protect. You lied because of love."

This is a book I definitely recommend and will likely want to re-read myself at some point. However, with that said, a word of warning that this is not going to be an easy read  — it is sad and heart wrenching, it presents truths about our society that may be difficult to face, and it may take you places that you would rather not be, especially with some of the things going on in the world at the moment.  But is is a worthwhile read — I would even say that it's a necessary read — for those who are up to it, of course.  This was a fantastic debut and I definitely look forward to what Tracey Lien has in store for us next.

Received ARC from William Morrow via NetGalley.

Monday, September 5, 2022

Review: The Ways We Hide (by Kristina McMorris)

My Rating: 4 stars

I have most of Kristina McMorris's works on my TBR, though so far, I've only had a chance to read two of her books — this book, her newest novel The Ways We Hide, and her previous one, Sold on a Monday, which came out back in 2018. While I have every intention of getting through McMorris's backlist at some point, I also don't want to miss any of her new works — which is why, as soon as I saw that she had a new book coming out this month, I requested an ARC before even reading the summary of what the book would be about.  After I got approved, I went back and read the blurb, which made me even more intrigued and excited to read the novel.  While I've read plenty of books set during World War II and covering various themes, one that I haven't come across is exactly what McMorris's new book explores:  the role of magicians / illusionists in the war effort.  Up until this point, I've always thought about magicians as entertainers, never realizing that there were very practical ways they could put their skills to use during the war, such as helping to design escape plans and contraptions or other gadgets that could hide things such as maps. This was a fascinating concept to me and an angle not often explored in WWII-themed fiction.  Not only that though, in terms of this particular story, the illusionist is a woman (the main character Fenna Vos), which is even more rare given the time period and the prevalent society conventions at the time.  

From a historical perspective, McMorris did a great job relaying the various elements related to real-life events and people, as well as establishing an atmospheric sense of time and place. I remember reading somewhere that McMorris mentioned this is one of her more ambitious novels to date, which I can totally see, as this one actually covered quite a bit of ground, with a time period spanning 1928 to 1945, a setting across three different countries (United States, England, the Netherlands), and a multitude of historical events / people covered (which I didn't actually realize until I read her Author's Note at the end of the book).  The meticulous research she did in preparation was obvious in the way she was able to utilize so much descriptive detail throughout the story, whether in reference to historical events and people, or even the gadgets created for military use.  Also, with Fenna's background as the daughter of Dutch immigrants and so parts of the story revolves around the Dutch community she grows up in, I ended up learning a lot in that area as well.

In addition to the story being well-written, the characters were also well-drawn, with Fenna written in a way where, as readers, we can't help rooting for her through all the hardships.  With that said however, I honestly found it difficult to connect with her on an emotional level — which is strange given the entire story was told from Fenna's first person point of view, so we are privy to all her inner thoughts and feelings.  I think part of the reason for this is because, for me, some parts of the story ended up focusing a bit too much on Fenna's romantic relationship with Arie, to the point that it drove a large part of Fenna's actions and decisions during a certain portion of the story.  Normally this wouldn't be a problem, but given the premise of the story and the highly dangerous situations she often found herself in, some of her actions came across as irrational and illogical.  While the romance piece wasn't overwhelming compared to the rest of the story, it was a little distracting for me because I was expecting more focus on the historical piece and how Fenna uses her skills as an illusionist and escape artist in her work with MI9.  This was also the main reason I ended up rating this 4 stars instead of 5, as I felt like the direction of the story strayed a bit near the midway mark and also, the emotional connection was lacking.

Overall, I definitely liked this one quite a bit and recommend it as a worthwhile read, especially for the different and refreshing angle it presents in terms of WWII historical fiction.  

Received e-ARC from Sourcebooks Landmark via NetGalley and print ARC via BookBrowse First Impressions program.