Friday, June 15, 2018

Review: High-Speed Empire: Chinese Expansion and the Future of Southeast Asia (by Will Doig)

 My Rating: 4 stars


I came across this book when I was browsing through NetGalley awhile back ago and when I found out it was about China’s One Belt One Road initiative, I was instantly curious.  Being from Hong Kong, l try to keep a close pulse on current events unfolding in the region and over the past year, one of the most talked about subjects in the city (aside from the raging debates over education, housing, sovereignty, etc.) has been China’s super-ambitious One Belt One Road project and what its impact would be on not just China and HK, but also Southeast Asia as a whole.  Prior to reading this book, I had only a very basic concept of what One Belt One Road was – essentially a high-speed railway from China to various countries in Southeast Asia.  Even though I had read many of the news reports about the project, the information was too scattered, which made it  difficult for me to wrap my mind around the scope and magnitude of the project.  It wasn’t until I read this book that I was truly able to understand what the One Belt One Road project entailed and more importantly, the implications the project has as it relates to China’s ambitions and expansion plans in Asia (and, to some extent, the rest of the world).

This book was amazingly well-written in a way that was engaging and easy to understand.  I appreciate the amount of detail that the author Will Doig used in the book, providing for us not just a simple definition of what One Belt One Road is, but also delves into its background and inception from historical, cultural, financial, political perspectives and beyond.  One of the things I liked most about this book is that it didn’t just look at the project from China’s perspective, but also explored the role of some of the “key players” in the project – specifically Laos, Malaysia, Thailand, and Singapore.  This is a perspective that is rarely brought up in the reports from mainstream media so for me, learning about the relationship these countries have with the project as well as its impact on them was a real eye-opener.  I learned a lot from reading this book and it helped me put a lot of the articles I had read previously into better perspective.  I also appreciate that the author kept the narrative objective, with plenty of examples and factual information, yet relayed in a way that didn’t feel like I was simply reading a news report – definitely no easy feat considering the various perspectives explored here.

For those who are interested in understanding more about China affairs and why the One Belt One Road initiative – however ambitious and superfluous of a project it might seem on the surface – is so important to China and its long-range expansion goals, this book is the perfect read.  It is very short (a little shy of 100 pages) yet is tremendously informative and written in a way that makes the otherwise drab subject matter interesting.  I found this to be a fascinating read that is definitely recommended!

Received ARC from Columbia Global Reports via NetGalley

Sunday, June 10, 2018

Review: The Summer I Met Jack (by Michelle Gable)


 My Rating:  2 stars
 
For me, this book was a huge disappointment and while I wouldn’t say that I regretted reading it, I do wish that I had stood my ground a bit more in terms of not accepting widgets for books that I wasn’t tremendously interested in reading.  Of course, I already knew going into this book that it would be a story about the Kennedy family (albeit a fictional story), more specifically about JFK and the love affair he supposedly had with a woman named Alicia Corning Clark (Alicia Darr for most of the story) in the early years prior to him becoming the 35th President of the United States.  I actually had never heard of Alicia Corning Clark prior to reading this book and being that this was an “imagined” story of the affair, I deliberately refrained from looking up anything about her until after I finished reading, as I didn’t want any preconceived understanding about who Clark was in real life to affect my feelings toward her character in the story (more on this later).   Despite the mention of “love affair” in the book summary, I was fully expecting this story to lean more towards historical fiction given the historical context with the Kennedy family, however it turned out that this fell more heavily into the romance category.  In addition, parts of the story felt a bit YA to me, mostly due to the main female protagonist being in her early 20s for much of the story, yet acting like a defiant teenager majority of the time, plus the style of the writing felt less mature and many of the scenarios were melodramatic (more about the writing later).  Unfortunately, both of these genres (romance and YA) are ones that I don’t really care for, so this did put me off quite a bit.

Genre aside, there were actually quite a few things that made this book a disappointment for me (hence the low rating), though interestingly enough, in reading through the reviews, I seem to once again be the outlier here, as there are a lot of 4 and 5 star ratings for this book and most readers didn’t seem to have the same issues I did.  It does make me wonder whether I actually read the same book that everyone else read…. 

In any case, one of the things that frustrated me most with this story were the characters and the way they were written, especially Alicia, a character I disliked almost from the start.  Like I mentioned earlier, I didn’t know anything about the real-life Alicia going into this (and I still don’t know that much about her to be quite honest), so I can’t comment on how she compares to the real person, but to me, Alicia in the story came off as a caricature and, at times, somewhat stereotypical.  Everything about Alicia (the character) seemed to be contradictory in that her behavior never seemed to sync up with her thoughts and more often than not, she would say one thing and do the complete opposite.  Don’t get me wrong – I’m all for flawed characters in fictional stories and in fact, prefer them over characters that come across too perfect, but in this case, I felt like the author went a bit overboard in the opposite direction in that Alicia seemed to have all her worst personality flaws exaggerated and brought into the spotlight while her positive traits (aside from her looks of course – there was constant reference to Alicia being “blonde and beautiful”) were mostly pushed to the background.   Most of the other characters as well were depicted this way (negative personality traits magnified tenfold) -- though of course, with the Kennedys, it’s not surprising given all the scandals and rumors surrounding that infamous family, but still, given that this was a fictional story, I was expecting the characterizations to be a bit more balanced.  Instead, I felt at times that I was reading a “tell-all” biography of sorts about the various transgressions of the Kennedy family with an emphasis on JFK and the scandalous life he led (um, I think most of us already know that JFK was a charmer who had numerous affairs both while he was president and before that – I didn’t need this fact to be reinforced throughout the story by depicting his character as a sex fiend who couldn’t seem to get near a woman without wanting to have sex with her…it seemed like every couple pages I was reading about either his or Alicia’s sexual exploits, which honestly got tiring after like the 5th mention barely a quarter of the way through the book….).

Plot-wise, there really wasn’t much there outside of Alicia’s various relationship “adventures,” which honestly didn’t interest me much – in fact, I felt bored reading the same repetitive bits about Alicia striking up a relationship with one famous person after another (the second half of the book was basically about Alicia’s “colorful” dating life -- the various people she met and had flings with).  Included in this were details about Alicia’s 3 marriages, most notably the one to Alfred Corning Clark, the heir to the Singer Sewing Machine fortune who left Alicia a hefty fortune after his death within weeks of their marriage.  This wealth came into play in a second timeline taking place more than 60 years later, in 2016, when the executor of the now deceased Alicia Corning Clark’s estate searches for a rumored potential heir to all the money she left behind (a search that really did take place back in 2016 and was reported on in the media).   To be honest, this part of the story felt like a completely different book, as the writing was more engaging and the narrative was framed as a “mystery” of sorts that I actually wanted to get to the bottom of – unfortunately, this second narrative was way too brief, only a few dozen pages max, and the format of interspersing snippets of this narrative sporadically throughout the main story meant that when I started skimming the book at around the 25% mark (yes, things started getting repetitive very early in the story), I ended up missing more of the second narrative than I intended.

Overall though, the issues I had with the story and the unbalanced character depictions pale in comparisons to the problems I had with the writing, which already wasn’t that great to begin with, but when you add tons of grammatical errors to the mix, this became a tedious and exceedingly frustrating read for me.  I’m not sure if this had to do with the ARC version I received being messed up somehow (or perhaps the version I received was a very early rough draft), but it appears that there was little to no editing to speak of with this book.  The biggest issue I noticed is what I call the missing “f” dilemma: all words that were supposed to have “ff” in them were missing one “f” for some reason – so “offer” became “ofer,” “affair” became “afair,” “off” became “of” etc. – these last two (missing “f” in the words “affair” and “off”) were especially egregious given the extraordinary number of times both words were used throughout the story (basically it was every few pages -- trying to differentiate the instances between when the author was trying to use “off” versus “of” alone ended up giving me a headache).  As if that weren’t enough, there were also sections where the narrative voice switched back and forth in between dialogue, which really threw me off and made this an even bigger chore to read.  For example, there was a section where one of Alicia’s friends George asks about her family back home – instead of that section being written as a conversation between two people with dialogue set apart by quotation marks as it was in most of the other parts of the book, it was written in an odd half conversation half third person manner – George would ask a question “But your mother…?” (only including part of the quote so as to avoid spoilers) and instead of Alicia answering the question directly like we would expect in a normal conversation, what followed was 7 paragraphs explaining what happened to her mother but written in third person (i.e.:  Alicia left school, Alicia filled out a form, Alicia tried looking for her, etc.) – then the next paragraph after that switches back to conversation mode with George’s dialogue in quotations and Alicia’s response also in quotations, but then the paragraph after that switches back to half and half mode again.  I thought at first this was just an isolated issue with that particular section of the book and so was ready to ignore it and move on, but then a dozen or so pages later, the same thing happened again, except this time it was a “conversation” between Alicia and Jack (though this time, there was the added confusion of switching from dialogue in quotes, to a third person response, to a second person response, and then back to dialogue again).   For the most part, I tend to be a little more lenient with ARCs, since it IS an uncorrected / unedited version after all, but this one was particularly bad – I’ve read several dozen ARCs over the past 2 years and this is the first time I’ve come across one with so many issues, mistakes that spanned every couple pages.  The only reason I didn’t DNF the book at this point was because I had already made the decision earlier on (around the 25% mark as I mentioned above) to skim through the rest of the book due to my inability to connect with the story and majority of the characters, so I stopped paying as much attention to these issues after that.

Obviously I wouldn’t recommend this book, but like I said earlier, in reading through the many glowing reviews, I seem to be the only one who had issues, so perhaps, unlucky for me, I just received a bad ARC version of the book?  I haven’t read any of this author’s other works so there’s nothing for me to compare against in terms of the writing.  Probably those interested in the Kennedy family will feel compelled to read this, though if so, I recommend getting a library copy or a fully edited version.  As for myself, I don’t intend on re-reading this even if a “cleaned up” version becomes available, since the subject matter is only mildly interesting to me anyway.

Received ARC from St. Martin’s Press via NetGalley

Saturday, June 2, 2018

Review: The Broken Girls (by Simone St. James)


My Rating:  4 stars

When I first picked up this book after reading the summary, I wasn’t sure what to expect going into it, as I saw that it would be yet another dual timeline narrative, plus not being familiar with this author, I thought it would follow the typical mystery / suspense / thriller pattern similar to all the other books in this genre that I had read over the years.   Well, after having finished this book now, I would say that the experience reading this was nothing like what I expected.  For me, what set this book apart from others in the same genre was the fact that there was actually a legitimate ghost story woven seamlessly into both the past and present narrative, as well as a few elements of historical fiction included as part of one of the back stories – taken together, all of these elements combined made this a fascinating read.  I don’t typically read ghost stories or books with paranormal / supernatural element to them, but this one was done in a light-handed enough manner that I found it within the bounds of what I was able to accept. With that said, the author did such a good job establishing a mysterious, creepy atmosphere with the backstory of Mary Hand and her connection to both narratives that there were moments when I was reading where I actually did feel a little spooked out, though not to the extent where I had to stop reading or set the book aside.  

The narrative in the past (1950s) was told from the alternating perspectives of Katie, Roberta, Cece, and Sonia – 4 teenagers who roomed together at Idlewild Hall, which was a boarding school for “wayward” girls.  With each chapter, each of the girl’s stories slowly unfolded and we would learn their backgrounds, how they ended up at Idlewild, and most of all, the secrets that each girl wanted to keep hidden – secrets that, when dredged up, drove overwhelming fear into their hearts.  The present narrative, set in 2014, revolved around journalist Fiona Sheridan, whose beloved sister Deb was murdered 20 years prior, her body dumped in the fields near the ruins of Idlewild, which had closed down in 1979.  Even though Deb’s murderer was already in jail, Fiona could not stop the relentless urge she felt to revisit the case, which she finds the perfect opportunity to do so when she discovers that the abandoned boarding school was bought and being restored by a rich benefactor.  The two narratives intertwine when a discovery is made during the renovations that links Deb’s death with long-buried secrets about Idlewild and the girls who once attended school there.

One of the things that really drew me into this book was the writing, which was exceptionally good.  The way the story was told – the prose descriptive without going overboard, the writing smooth and seemingly effortless – it was difficult not to feel fully immersed in the narrative from the getgo.  In fact, once I started reading, I was so engrossed in the story that I just wanted to keep going.  This is one of those books where the writing pulled me in and set the tone, the story captivated me enough to hold my attention for an extended period of time, and the characters were endearing to the point that I enjoyed spending time with them.  The dual timeline actually worked extremely well with this particular story, though I do have to say that I enjoyed the 1950s narrative more, as I really liked the 4 girls and the special sisterhood that they shared and also found their backstories much more interesting than Fiona’s story in the present time.  With Fiona’s narrative, I felt that the author tried to cram way too much “drama” into her story, especially in the second half of the book – I would’ve preferred for some of the unnecessary elements to Fiona’s story be taken out and instead, more time be given to the Idlewild girls’ stories.  Also, there were a few parts of the book that did drag a little and caused the momentum to slow at times, however in the overall scheme of things, this was a relatively minor issue.

This was a book that I enjoyed immensely, even with the ghost story aspect that usually would make me hesitant to read.  The story is definitely intriguing and the overall setup is unique enough where I didn’t feel like I was reading “yet another thriller.”  I would definitely recommend this one, though with the warning about the ghost story element in case that may be an issue for anyone deciding whether to read this or not.

Received ARC from Berkley via Edelweiss