Wednesday, February 7, 2018

Review: Next Year in Havana (by Chanel Cleeton)



My Rating: 4.5 stars

I was enamored with this book from the very first page and found it very difficult to put down after I started reading it!   I will admit that I was reluctant to read this one at first, as I don't typically read romance novels and being that most of this author's previous works were contemporary romances, I was worried that this would be along the same lines -- however I decided to give this one a try, as I was drawn in by the historical aspect and also curiosity with the setting being in Cuba.   It turns out I was right to give this one a chance, as the romance aspect actually took a backseat to the history and also family dynamics, turning this into a wonderfully written work of historical fiction rather than a run-of-the-mill romance trope.

Alternating between two timelines, the story is narrated first by Elisa Perez in the late 1950s, as Cuba is in the midst of a revolution led by Fidel Castro against president Batista, and then later by Elisa's granddaughter Marisol Ferrara, nearly 60 years later, as she travels to Cuba for the first time to fulfill her grandmother's dying wish for her ashes to be scattered in the country that always had a special place in her heart.  As we accompany Marisol on a journey that is as much about discovering her roots, her heritage, as it is about coming to terms with the death of the beloved grandmother who raised her,  we are given insight into the history of Cuba – more specifically Havana – and what life is like for its people both in modern day as well as back during the revolutionary period, in Elisa's time.  The juxtaposition of the two versions of Cuba – Marisol's romanticized version passed on to her from family stories and memories versus the 'real' version of the Cuban people's perpetual struggle and sacrifice – provided an eye-opening look at a country that embodied both beauty and hope as well as devastation and suffering.  The disparity was so jarring at times that it really made me think about how grateful I am to live in a country that values freedom and at the same time, how so many things are taken for granted.  I was absolutely humbled by passages such as this one, which was both a powerful and timely reminder of how lucky we are living in the times and parts of the world that we do:  "I can't fathom living in a world where you have no rights, where there is no oversight, no accountability.  The United States isn't perfect; there's injustice everywhere I turn.  But there's also a mechanism that protects its citizens – the right to question when something is wrong, to speak out, to protest, to be heard.  It doesn't always work, sometimes the system fails those it was designed to protect, but at least that opportunity – the hope of it – exists." This was just one of many thought-provoking passages in this book — so many in fact that I found myself highlighting quite a bit and also stopping to reflect on some of the issues that were brought up.

In terms of the writing, I am blown away by how well-written this book was – the skill with which the author was able to weave all the historical details into the narrative yet still present such a compelling, heartfelt story with wonderfully layered characters was, to me, beyond impressive.  The writing was descriptive and beautiful, but most importantly, it was incredibly atmospheric, which I feel is one of the things that sets this book apart from some of the other works of historical fiction I've read recently.  The author Chanel Cleeton did a wonderful job of establishing a strong sense of place and time, so much so that I felt like I was transported to Havana myself and was truly able to get a feel for the city and Cuba as a whole, its inhabitants and their way of life.  There were so many topics that the book touched on – social injustice, economic inequality and instability, political strife, love, family, sacrifice, etc. – but the parts that drew me in the most were the details about Cuba's history and culture, especially the emotions and conflict surrounding what it meant to be Cuban for those who fled the country and live in exile yet were still forever connected to their heritage versus those who stayed behind, whether willingly or unwillingly, and what they had to endure as a result.  As mentioned in the book, much of Cuban history is political and so inevitably there were a lot of passages about politics throughout the story, yet not once did I feel that this book was trying to push a particular political message or viewpoint.  To me, this is a testament to the author's skill as a writer, as she was able to incorporate the politics piece in a way that impartially presented both sides, allowing us as the readers to determine for ourselves which (if any) side we related more to.  I also appreciated the fact that the author, who herself is Cuban-American, wove in elements of her own family history and experiences fleeing from Cuba after the revolution, as her passion for her heritage and her country's history truly did shine through.

Overall, I definitely enjoyed this one and learned a lot from it.  Highly recommended for historical fiction fans, especially those interested in learning more about Cuba.

Received ARC from Berkley Books via Penguin First to Read program

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