Showing posts with label borrowed from library. Show all posts
Showing posts with label borrowed from library. Show all posts

Saturday, August 15, 2026

Review: You Are Here (by David Nicholls)

My Rating: 3 stars

I had decided to pick up David Nicholls’s You Are Here because so many of my book friends loved it, so when my audiobook hold finally came through, I was excited to finally read this, as there were so many aspects of it that seemed to be right up my alley:  smart and funny protagonists, witty banter, heartwarming humor, characters that are realistically written, a love story rather than pure romance, etc.  I liked all the characters well enough, especially Marnie and Michael, who were relatable and realistic, and as a romance novel, I appreciated the not-as-common premise where two middle-aged protagonists unexpectedly get a second chance at finding love while on a 10-day hike through England.  With so many things going for it, I was truly expecting to fall head-over-heels in love with the story like all my friends did. 

Yet for some reason, I found it difficult to get into this one.  Perhaps it was the slow start to the story, as Nicholls does take quite a bit of time to set things up, and also the structure, where each (short) chapter hopped back and forth between Marnie’s and Michael’s perspectives in seemingly quick succession, which felt a bit dizzying and also made it hard to get to know each of the characters deeply.  It also perhaps wasn’t a good idea to listen to this one on audio, especially at the speed that I’m usually most comfortable with (1.25x).  While the two narrators were lively and entertaining, it was hard to understand what they were saying at times due to the accents not translating well at higher speeds – whenever this happened, I would pause the audio and locate the same spot in the book so I could see what I missed.  This repeated “stop-and-go” got a bit tiresome after a while, not to mention it took me out of the story so often that it started to negatively impact my reading experience.  Specifically, this became a somewhat tedious read which, overall, made me enjoy it much less than I initially anticipated.  About halfway through the audio, I decided to switch over to the e-book version and while that worked a lot better for me, as I was able to read the book through without stopping, it was, unfortunately, a bit too late by then. 

I think the lesson learned here for me is to choose carefully when deciding which books to listen to on audio versus which ones to read in print, and definitely to do more research before diving in, since the impact to the reading experience can be quite significant.

I may try this again at some point down the road, as my book friends don’t usually steer me wrong and I think in this case, I just picked the wrong medium with which to experience this one. If I do end up taking another stab at this, definitely will go with the print version.

Received ARC from Harper via NetGalley.

Wednesday, August 5, 2026

Review: Gone Girl (by Gillian Flynn)

My Rating: 3.5 stars

I’ll just say it right off the bat:  my thoughts about this book are of the “outlier” variety so if that’s going to be a problem, my suggestion would be to stop reading this review right here.

Okay, for those still with me, here it goes…. 

First off, I decided to finally pick this book up not because I really wanted to read it, but rather, to satisfy my curiosity. Gillian Flynn’s Gone Girl came out back in 2012 and in the 14 years since then, I’ve heard it referred to over and over again, in various contexts, year after year, pretty much endlessly:  this is the book that started the psychological suspense craze, the book that made the whole “twist” phenomenon a household name, the book that made having the word “girl” in the title a surefire hit, the book that single-handedly launched the “cool girl” trend, etc. etc.  Having read my fair share of psychological thrillers / suspense novels over the years (novels which, supposedly, all owe a debt to Gone Girl in some way, shape, or form if they were published after 2012 – at least that’s what I was made to believe), I wanted to finally read this “mother of psychological suspense novels” to, yes, see what all the hype was about.

From a craft standpoint – plot, character, structure, pacing, etc.—this book is indeed brilliantly written (which, I have to make clear, is very different from being “well”-written).  I don’t think it would be an exaggeration to say that this book, the way it is written, can be considered a masterclass on how to write compelling, page-turning psychological suspense, especially in the way that Flynn goes deep into the twisted minds of two truly deranged individuals and picks apart, in detail, what spurs their every thought, feeling, and action. Sure, we may not agree with the way these characters behave throughout the story (though that’s putting it mildly – I was actually disgusted by both main characters for the entire read), but we do come to an understanding of WHY they behave that way.  To be honest, it wasn’t hard to tell from the get go that Nick and Amy were not good people and their toxic relationship was a train wreck waiting to happen – yet by the same token, it was also hard to look away when, ultimately, the train slammed into the wall and created a grotesque mess that seemed impossible to clean up (and yes, despite how miserable I knew the experience would be, I couldn’t help reading on to see if and/or how they clean up the mess).

With all that said however, the main reason why this book didn’t work for me was because I hated EVERY SINGLE CHARACTER.  As other reviewers have pointed out, the story is dark and twisty, with so much violence, abuse, sex, gratuitous cursing, etc. – which, yes, can be a turn off, but for me, the dealbreaker was actually the characters and the horrible, despicable way they behave throughout the entire story.  The characters don’t make any attempt to change, there is no redemption arc, no comeuppance for bad behavior, no remorse or repentance, no repercussions for criminal acts – for pretty much the entirety of the 400+ pages (20+ hours on audio), these characters remain both pretentiously narcissistic and overwhelmingly self-absorbed, to the point that, throughout the entire time I was reading, I felt like there was not a single moment where any of the characters deserved even an ounce of sympathy from me. 

So basically, my overall opinion of this book is that it is very much overrated.  Now, would my opinion of this book be different if I had read this when it first came out 14 years ago?  Perhaps yes and perhaps no.  But the truth of the matter is that, over the past 14 years, I’ve read enough psychological thrillers with “twists” ranging from the jaw-dropping to the “you call that a twist?” variety that, in a way, I’ve pretty much seen it all, at least that’s what it feels like.  To this point, I found the twist in this book to be a bit anticlimactic in the sense that by the time I got to the end of part 1, I already figured out what was going to happen.

One last but very important point is that I chose to listen to this via audio, even though I had a paperback copy available on my shelf.  I’m glad I did so because the audio format proved to be the best way to take in this book.   Of course, the bonus content in the audio book version – including a special chapter written from the perspective of Amy as a child that provides insight into her upbringing and relationship with her parents – is a definite perk, but the real draw is the fantastic performance from the audiobook’s two narrators, Kirby Heyborne and (one of my personal favorites) Julia Whelan.  For me, it is precisely because of the outstanding job by both narrators that I ended up rating this 3.5 stars – if I had just read the book and didn’t listen to the audio version, I seriously would’ve rated this 2 stars or lower.

Wednesday, July 29, 2026

Review: Big Little Lies (by Liane Moriarty)

My Rating: 4.5 stars

I’ve read several of Liane Moriarty’s books (including her newest release) and I’ve got to say that Big Little Lies is my favorite so far.  I’ve actually had this book on my TBR for quite some time and honestly thought about reading it back when the award-winning adaptation came out several years ago, but never got around to it.  So why am I reading this now then, in the middle of a busy reading summer when my TBR is already teetering to the point of toppling?  The answer is simple: because Moriarity finally decided to write a sequel to Big Little Lies – a rare move for her, as she has said herself in multiple interviews that she does not write sequels – which I really want to read but since I have a rule about not reading sequels until I’ve read the first book, I scrambled to slot this one in so I could finish it before the sequel comes out next month (and oh, it definitely helped that my audiobook hold from the library just happened to come through as well).  I may be late to the party with this book, but that’s okay because all the fun I had at said party all but made up for the lateness!

As many other readers already mentioned, this was a charming, delightful, hugely entertaining read that balanced the serious and the lighthearted in a seamless way.  The story was equal parts compelling and gripping, with a brilliantly crafted structure where the investigation into a mysterious death at a school trivia night (complete with juicy commentary and revelations from various parties) is interspersed with the follies and foibles that three suburban moms must navigate through as they go about their respective lives and relationships.  Moriarty was spot-on with the various character depictions and interactions – the petty quarrels and jealousies between the parents, the schoolyard scandals and controversies, the never-ending rumor mill where gossip spreads like wildfire and people are delight in finding out about other people’s miseries, the drama and politics and people who are constantly trying to “one-up” each other, etc. – the list goes on and on.  My favorite though is seeing how misguided the parents often are in thinking they know what’s best for their kids, only for them to end up being taught a lesson or two by their precociously adorable kindergarteners (speaking of which, out of all the kiddos in the story, I found Ziggy to be the most endearing).  Yes, the adults in the story do sometimes act more childishly than their kids, but that’s how people are in real life too (speaking for myself, I know I’ve definitely had those moments).

One of the things Moriarty does brilliantly in this story is juxtaposing the “silly and ridiculous” (i.e.: all the petty rivalries between the parents) with the “serious and heavy” (i.e. domestic abuse, bullying, death) and being able to write about both with a delicate balance of heart and humor.  With Moriarty’s other books, I don’t usually feel much emotional pull, but this one turned out to be an emotional roller coaster – there were moments where I laughed so hard to the point of tears, while other times, I felt sad and angry (and sometimes indignant) at what some of the characters had to endure; there were still other moments where I couldn’t help rolling my eyes (sometimes into the back of my skull, it felt like) at the ridiculous pettiness and childishly dramatic antics of some of the parents, yet the next moment, I would be moved by the sweet innocence of the kindergarteners who seem to understand more about what it means to treat people with kindness and respect than the adults do.

Moriarty covers so much ground in this book, yet it never felt overwhelming.  As I mentioned earlier, I listened to the audiobook, which was 16 hours, but it honestly didn’t feel that long because the story was so immersive and engrossing – so much so that I often found myself listening for hours on end because I couldn’t wait to find out what happens next. Of course, it also helped that the audiobook narrator did a good job with the voice work – especially her use of distinct intonations for each of the characters, clearly differentiating the adults from the children – which made this a particularly immersive experience on audio.

As much as I enjoyed this, I couldn’t give it 5 stars because it did have some flaws, not to mention some really ‘over the top bordering on absurd’ characters as well as a fair share of ridiculous ‘eye-roll worthy’ (though at the same time downright hilarious) moments – but honestly, that’s what made this book such a fun (and funny) read! 

I’m not sure what Moriarty has in store for us with the sequel but the high standards she set with this book will be hard to surpass, that’s for sure.  I guess I will find out next month when my pre-order Big Little Truths arrives!

Saturday, July 4, 2026

Review: The Best Dog in the World: Essays on Love (edited by Alice Hoffman)

My Rating: 4.5 stars

Written by 14 authors who are also dog-lovers and dog-owners, this collection of essays warmed my heart!  I read this in pretty much one sitting because I couldn’t get enough of these sweet canine creatures and all the different ways they teach us about love and affection, empathy and joy, and everything else in between.  I may not be a pet-owner myself (not because I don’t want to, but because there are too many people in my family who are allergic in some way), but that doesn’t mean I couldn’t relate to this collection, as I do have a soft spot for dogs and have plenty of friends and neighbors whose dogs I’ve happily played with and smothered with love and affection.  With that said though, I can’t help but be envious of those same friends and neighbors who are on the receiving end of their canine companions’ unfettered love and adoration day in and day out, so reading a book like this one definitely helps to satiate that envy (LOL).

I definitely recommend picking up this essay collection, especially if you are a dog-owner.  If you’re not a dog-owner (and perhaps not a dog-lover either), I still suggest picking this one up—who knows, you might be won over by these delightful reflections on life accompanied by the most loyal and devoted of pets.

Tuesday, June 23, 2026

Review: Summerland Cove (by Ellen Baker)

My Rating: 4 stars

Given its cover and title as well as its seaside and summer vacation setting – combined with an interesting premise with a mysterious disappearance at its center, a splash of summer romance, a bunch of messy family relationships, and too many secrets to count -- this book had all the trappings of a “perfect for the summer months” read.  This also proved to be a bit lighter fare than the books I’ve been reading lately, so timing-wise, this worked well in getting me settled into the rhythm of my summer reading journey.

In a story that revolves around one summer in 2010, three women from different generations of the same family narrate the events that occur during a get-together to celebrate three big events over the course of three weekends:  a birthday, a 50th anniversary party, and a wedding.  At her family’s summer cottage located in a coastal town called Summerland Cove in Maine, 50-year-old Lindy is setting up for her husband David’s birthday bash, which she had been planning for weeks, alongside her parents Greta and Tom’s 50th anniversary celebration to take place the next weekend, and culminating with her eldest daughter Hailey’s wedding the weekend after that. With only a few hours to go before the party starts, Lindy is busy putting the final touches on the arrangements and making sure things are in tip-top shape.  As the final guests arrive and the party is already underway however, the guest of honor – birthday boy David – is nowhere to be found.  When it becomes apparent that David isn’t merely “late” but rather a “no show” to his own party, the family starts to panic.  Did something happen? Is he okay? Is his disappearance intentional or an accident?  With so many questions and no good answers, the celebration turns into a frantic search that gradually leads to the unraveling of one family secret after another.

The story unfolds through the alternating perspectives of Greta, Lindy, and Hailey, who each give their take on the events that occur while also providing insight into their thoughts and feelings and, ultimately, secrets that we as readers become privy to but some of the characters don’t. I think this structure worked fine overall, though with the three of them narrating some of the same events, there was bound to be some repetition here and there, which had the effect of making some parts feel a tad drawn out – and I did feel that the book as a whole was longer than it really needed to be.  Out of the 3 POVs, I connected the most to Greta’s, which is surprising given that I’m actually closer to Lindy’s age.  With that said, some aspects of Lindy’s story arc did resonate with me, but I found Greta’s story more poignant and relatable (those scenes with Marjorie near the end actually moved me to tears).  I also wasn’t too keen on Hailey’s story arc, as I found it too predictable, for one, and it also felt a bit cliché-ish – not to mention her character came across like an angsty teen rather than an adult most of the time, plus some of the scenes where she repeatedly goes out on a limb to justify things that are so obviously not justifiable (or deliberately talks herself into doing the opposite of what she actually wants) started to annoy me after like the fourth or fifth time. Fortunately, there was enough other stuff going on that Hailey’s wishy-washy story arc didn’t become too much of a distraction.

Overall, I definitely enjoyed this one, as it had many of the elements that I typically like: a compelling mystery, complicated family dynamics, strong and complexly drawn female characters, emotional depth, atmospheric settings, etc.  With that said, I also understand some of the complaints that other readers/reviewers had about the many plot lines and story arcs that made the story feel a bit too “busy.”  Also, while the writing flowed pretty well for the most part, there were sections where some of the characters would repeatedly debate with themselves (usually in efforts to justify their own actions), which I felt was unnecessary and dragged things down a bit.  I think if some of those extraneous bits were cut and the story tightened up a little more, this would’ve been a much more solid read.  That said, I still recommend adding this one to your summer reading list, as it is a perfect fit for the season.  Reading this also made me interested in Ellen Baker’s backlist, which I definitely hope to explore at some point.

 

Thursday, June 11, 2026

Review: Never Grow Up (by Jackie Chan, with Zhu Mo)

My Rating: 3.5 stars

I decided to pick up Jackie Chan’s memoir not because I’m a fan (in fact, quite the opposite – he’s actually one of my least favorite celebrities nowadays), but because of nostalgia, as Jackie was a big name in the HK entertainment industry during its heyday in the ‘80s and early ‘90s, when the industry was flourishing.  Back then, the HK entertainment industry was known as “the Hollywood of the East” and rightfully so given the popularity of its stars, who were known all over Asia (and some internationally as well).  As someone who was born in Hong Kong, I’ve always had great affinity for my birth city, which is why it probably won’t come as a surprise that I’ve been following all things HK, especially its entertainment industry, pretty much my entire life.  As such, having grown up on a steady diet of HK movies, TV series, music, books, etc., I’ve become so familiar with the industry that I actually know it better than the “real” Hollywood (significant because I live in Los Angeles, so Hollywood is, basically, in my backyard).  Having devoted so much time and energy to following the industry for decades, I’ve unfortunately also witnessed its deterioration over the years (the past 2 decades especially). Not only that – there’s also the fact that many of the HK celebrities I grew up watching are either retired, less active in the industry, or in some cases, no longer with us (each time I hear about the passing of a HK celebrity, my heart breaks more than a little).  Given these circumstances, it’s understandable then why I would choose to spend time reading a book that 1) is “written” by a HK celebrity that I’m honestly not too fond of, and 2) tells me nothing that I didn’t already know (actually, I probably know more than what Jackie chose to share in his memoir, LOL).

Overall, I would have to say that the experience of reading (or, more accurately, listening, since I went with the audio book version) Jackie’s memoir was enjoyable, primarily because of the nostalgia factor, as he recounts many stories from those “golden years” of the industry that I remember fondly as well.  Of course, given Jackie’s stature as the “big brother” of the HK entertainment industry, he has worked with countless HK celebrities over the years, many of whom get “name-checked” in this memoir (which, to be honest, was my favorite part of the book, as I’m a fan of some of those other celebrities).

One thing that did surprise me about this memoir though is how candidly Jackie talked about some of the scandals as well as the less savory aspects of his personal life, especially in light of the fact that Chinese celebrities (specifically, those who grew up in Asia) are notoriously reticent when it comes to their personal lives. HK celebrities – the more famous ones in particular -- are big on maintaining their privacy and are extremely skilled at playing what I call “verbal tai-chi” with reporters (“verbal tai-chi” essentially means answering questions in a way that doesn’t really reveal anything and deflecting questions without people realizing they are doing it).  This is actually partly why gossip rags are so overwhelmingly popular in HK, since they go to great lengths to dig up the information that the celebrity doesn’t want to reveal.  In Jackie’s case, there are quite a few negative things that he is “known for” in HK (i.e. his carelessness with money, being neglectful toward his son, constantly cheating on his wife, etc. – and I’m only scratching the surface here).  Jackie actually addresses some of these things in his memoir, which I found surprising – though on second thought, some things were spun in a more positive light than how they actually played out (especially his relationships with his wife, retired actress Joan Lin, and son Jaycee – both of which are more strained than he lets on his memoir).

With all that said, one thing I was super curious about (and admittedly one of the reasons why I wanted to read this memoir) was to see if Jackie was going to mention anything about the big scandal that essentially “destroyed” his career and reputation in HK (his 1999 affair with actress Elaine Ng and the daughter from that affair, Etta, whom to this day, he still refuses to acknowledge).  Spoiler alert (well, not really) -- he DOES mention it, but in a roundabout, “blink and you’ll miss it” way – there is a short section where he mentions the “serious mistake” he made in 1999 that “resulted in a love child,” but then goes on to talk about the “media frenzy” that ensued and the impact it had on himself and his family (specifically, Joan and Jaycee) – in essence, he glosses over the situation and his own behavior and instead focuses on how forgiving Joan was towards him.  I will be honest in saying I was disappointed with the way he “kind of did / kind of didn’t” mention it, as I felt this was a missed opportunity to rectify things and salvage some of the respect that was lost (for the record, it was actually this scandal and the horrible way he handled things afterwards that made me lose all respect for him, which is why I said at the beginning of this review that he is one of my least favorite celebrities nowadays), but then again, it IS his memoir so he has the prerogative to write whatever he wants, how he wants.

While I’m glad I read this memoir, I realize that I’m actually not the audience for it.  To me, it seems that Jackie wrote this memoir more for a Western audience that might not know as much about him as those of us from his home town do – or perhaps he wrote it for his fans who probably know everything but love him anyway (which is perfectly fine – to each their own).  All in all, this was an enjoyable, if not particularly insightful, read.

Wednesday, May 27, 2026

Review: The Nine Moons of Han Yu and Luli (by Karina Yan Glaser)

My Rating: 5 stars

Wow!  This beautifully written middle grade novel absolutely blew me away!  I honestly can’t remember the last time I was so enamored with a book that I couldn’t bring myself to put it down, so I ended up finishing it pretty much in one sitting.

I first came across this book in an issue of Kirkus Reviews (I subscribe to Kirkus and read each issue cover-to-cover – yes, I know I’m weird) and was initially drawn in by the gorgeous cover.  Then, I saw the title – The Nine Moons of Han Yu and Luli -- and before even reading the blurb, I knew I had to put this on my TBR immediately – after all, it’s not often that I come across a book that has my childhood nickname (Luli) in it.  Once I read the summary (as well a as a few reviews) and found out that the story revolves around Chinese culture and history (which is also my heritage), I was ecstatic and couldn’t wait to jump in.  Coincidentally, my library hold on the audiobook version came through just as I was debating which version to read, so I went with that one and I’m so glad I did, as the audiobook was absolutely superb!  The two narrators – Sura Siu for Luli’s storyline and Brian Nishii for Han Yu’s – were wonderful:  their narration was lively and animated, bringing not only the two main characters to life, but also the rest of the (relatively large) cast of characters through different voice performances.  Best of all though, both narrators’ pronunciations of Chinese words and phrases were perfect, which lent an authenticity to the audio version that, for me, definitely enhanced the listening experience (as a side note, this can be a deal breaker for me when it comes to audiobooks – I don’t have a problem with the narrator being outside the culture as long as they pronounce the cultural words and phrases correctly).  I ended up loving this book so much that immediately after I finished listening to the library version, I went and purchased my own audio and physical copies of the book so I could re-listen and/or re-read whenever I feel like it.

At first glance, the story appears to be told in two alternating timelines:  Han Yu’s story takes place in 731 China while Luli’s takes place in New York’s Chinatown in 1931.  Both protagonists set out on adventures to save their families, but the reasoning behind why they do so is markedly different.  Han Yu is one of four children who lives in the city of Chang’An (the capital of China during the Tang dynasty era) with his parents.  Alongside his dad, Han Yu works the steamed bun stall at the local market and though they don’t earn much, they live a contented life as a close-knit family.  Even though he doesn’t recognize it, Han Yu has a special ability when it comes to animals in that he can relate to them in a way that causes them to naturally flock to him.  But it’s not just tame village animals such as dogs, camels, and magpies – there are whispers throughout the village that Han Yu has the special protection of a tiger that had appeared at the time of his birth, though no one has actually seen it in real life.  When a horrible plague descends on Chang’An, Han Yu sets out on a perilous journey across China, traveling thousands of miles to Tian Shiu and Dunhuang in order to save his family.  Luli is a fifth grader living in New York’s Depression-era Chinatown with her parents, both of whom had worked hard all their lives in order to save enough money to put towards paying off the mortgage on their house.  But business at their restaurant has been slow and soon, the family finds themselves in dire financial straits.  With the help of her neighbors and the rest of the community, Luli is determined to do whatever she can to help her family save their home.

I didn’t realize this until close to the end of the book, but the story should actually be more accurately described as being told in two “parallel” timelines rather than “alternating” – reason being is that both Han Yu and Luli’s story arcs occur within the same “nine moon” cycle, just in different eras.  I felt this was such a clever way to structure the story, not to mention the insight it provides in terms of how the Tang dynasty moon cycles worked relevant to the modern-day Gregorian calendar.  But the two timelines were parallel in other ways too – the steamed buns, the animals, the art, the significance of the silk, found families, friendship, etc. – the list goes on and on.  As I was reading, I couldn’t help but marvel at the cleverness of the many connections between the two tremendously different storylines, both of which come together in the end in a way I wasn’t expecting, but I absolutely loved.

When it comes to dual timeline stories, I usually have a preference for one timeline over the other, but in this instance, I enjoyed both times quite equally.  Though with that said, Han Yu’s timeline did have a slight edge, mostly from a familiarity perspective due to my background studying Chinese history and culture.  Many years ago, I had actually gone on a tour of the Silk Road and one of the places I visited was Dunhuang (which is where Han Yu travels to in the story to find the healing grasses for his family) as well as the nearby Mogao Caves (the Thousand Buddha Caves in the book).  Reading about both of these places brought back so many memories of that trip, but more importantly, it made this part of the story more resonant for me, as I had experienced for myself the magnificence of those sites as well as the historical significance surrounding them (and yes, I also had the very interesting experience of riding a camel during that trip and I can truly say that I absolutely related to the scene in the book where Han Yu struggled to get on and off his camel, LOL).

There was honestly so much to love about this book that I feel like I could gush about it forever.  I especially love how well the historical and cultural elements were incorporated into the story, all of it blending together in a way that created a truly immersive experience (especially the audio version).  I also appreciated the emotional depth of the story, which was so well done in both timelines – just the right amount of emotional pull without going overboard – that I found myself both laughing and crying in equal measure.

Given how much I loved this book, I of course highly recommend it, though with the caveat that the audio book version is the best way to experience this one.  Fortunately, the audio version also has the Author’s Note in it, which is also a must-read in and of itself, as the author, Karina Yan Glaser, provides valuable insight into the structure of the book – such as why she chose to set the story in Chang’An (Han Yu’s timeline) and New York City (Luli’s timeline) specifically.  Also, since this is a historical novel, Glaser also discusses which aspects of the story are real versus fictional (i.e. Han Yu’s friend and traveling companion in the story is based on a real person – the famous Tang dynasty poet and politician Du Fu).  As is the case whenever I read historical fiction, I always make it a point to read the Author’s Note as closely as I read the book itself, as I love finding out the “behind-the-scenes” stuff and also learning about the inspiration behind various aspects of the story.

If you get a chance to pick up this delightful book, definitely do so, as it is a fantastic read that I would actually love to experience again in the future.

Saturday, May 23, 2026

Review: Made in China: A Memoir of Love and Labor (by Anna Qu)

My Rating: 3.5 stars

As I continue my new-found audio book journey, I’ve been focusing on listening to memoirs and other non-fiction works that I’ve had on my TBR list for ages, but never got around to reading previously.  One such memoir is Anna Qu’s Made in China: A Memoir of Love and Labor, which I can’t remember why I had on my list, but I’m glad I finally got to it.  To be honest, the subtitle of this one is kind of misleading, as there was little to nothing about “love” in these pages, though the part about “labor” is true enough.  Not long after Qu’s father dies when she was a baby, her mother goes to America to pursue a better life, leaving Qu behind in China in the care of her grandparents.  At five years old, Qu is finally reunited with her mother and her new family in Queens, New York, but instead of being a happy reunion, this becomes the start of a nightmare for Qu.  In addition to being forced to work at her mother and stepfather’s garment factory (aka sweatshop), Qu is also repeatedly abused by her mother, who favors Qu’s half-siblings (a brother and sister) and alternates between treating Qu as a maid (making her take care of all the household choirs as well as both of her half-siblings) or pretending she doesn’t exist.  Qu spends most of the book detailing the abuse she suffers at her mother’s hand, such as when she is punished for doing her homework and thrown out of the house by her stepfather at the direction of her mother.  The most harrowing instance of abuse is when Qu’s mother beats her with a hanger for daring to tell her half-sister to ask for permission before using her colored pencils – an incident that nearly kills Qu when she tries to jump out the window to avoid her mother’s violence.  Pushed to the end of her rope, Qu alerts the Office of Children and Family Services through her school’s guidance counselor and after an investigation, Qu sees her situation improve in that she no longer has to work in the family’s sweatshop (where any money she “earned” went to her abusive mother) and instead, she is allowed to make her own money through jobs such as a dental assistant and waitressing.  Even though the social worker assigned by the OCFS, Mary, helps make Qu’s life a little bit better, the one thing that Mary is not able to help Qu with is the one thing she desperately wants – to make her mother love her.  Qu eventually goes off to college and becomes estranged from her mother for the most part (though she does go back to visit her mother, stepfather, and half-siblings at their Queens home and has dinner with them as though nothing happened, which I honestly found a bit baffling given everything she suffered in that family, culminating with her mother’s most recent refusal to provide her with the signature needed for her to continue with her schooling).

In the second half of the book, which takes place 20 years later, Qu recounts her experience working at a start-up company that is on the brink of collapsing.  This portion of the memoir I felt was kind of irrelevant to everything that occurred in the first half (though perhaps Qu included it to show how miserable her life continued to be due to all the lingering trauma from the abuse?).  During this time, Qu decides to request her OCFS report and when she receives it, she is shocked to find tons of inaccuracies with the report, all the way down to the OCFS finding that there was no evidence that Qu was ever abused.  This revelation, along with the discovery that her mother had kept the news of her beloved grandfather’s death a secret from her, devastates Qu.  Though the memoir does end on a slightly positive note with Qu being reunited with the grandmother who raised her in China and the only person in her family who truly loves her unconditionally, that scene felt too short and abrupt to counteract the “heaviness” of everything that came before it.

Overall, I found this to be an uncomfortable read, not just because of the subject matter, but also because there were points throughout the memoir (though mostly near the end) where it came across as though Qu was trying to justify her mother’s abusive behavior by relating it to the struggles she endured being widowed at a young age and then having to build a life for herself after immigrating to America alone. In a segment near the end of the book, it almost felt like Qu was trying to find excuses for her mother, insinuating that perhaps the hardship of having to overcome her situation as a Chinese immigrant woman in America is what made her violent and abusive, which might be true, but then seems to dismiss everything else she had written prior to that. 

The other thing that made this a not-too-pleasant listen was the narrator of the audio book (not the author) who read the entire book in a tone that sounded perpetually angry and bitter.  While it can be argued that using such a tone probably makes sense in this case given the subject matter, it felt grating after awhile, especially after listening for several hours straight, and put me in a depressed mood.  I think this is an instance where it would’ve been better for me to actually read the book instead of listening to it via audio.

Friday, May 15, 2026

Review: Gather Me: A Memoir in Praise of the Books That Saved Me (by Glory Edim)

My Rating: 4 stars

I enjoyed this memoir from the founder of the Well-Read Black Girl book club, Glory Edim, where she discusses the books and authors that saved her during some of the most difficult moments of her life. From Nikki Giovanni to Maya Angelou, Audre Lorde to Toni Morrison, and many many more, Edim recounts how the words of these brilliant writers had such a huge impact on her and eventually inspired her to start her hugely popular book club so she could continue to uplift stories by Black writers.

Even though I come from a completely different cultural background, I found that I was still able to relate to quite a few of the struggles that Edim talks about in her memoir.  For example, as the daughter of traditional Nigerian parents who immigrated to the United States, Edim had to constantly navigate the culture clash between her American upbringing and her Nigerian heritage, with having to reconcile the two often leading to an identity crisis.  This is an experience that resonates deeply with me as someone who also comes from a very traditional culture (Chinese) that oftentimes conflicts with the culture that I was raised in (American). One scene from Edim’s memoir especially stuck with me -- she talks about how she was attending her father’s funeral in Nigeria, alongside her mother and her brother Maurice and ended up causing an uproar when she insisted on saying a few words, as the cultural mandate was for women to be seen but not heard:

“I had written something about my father that I wanted to read, but I was firmly told that it would not be possible: A daughter does not speak at her father’s funeral. A woman does not speak in church. I was told not to worry; Maurice could speak for us both.”  

Edim also recounts other instances during her trip to Nigeria where she would be standing next to her brother, but people would refuse to speak to her or even acknowledge her existence, choosing instead to talk to the male in the family. Coming from a culture that places higher value on sons over daughters, I know first-hand what it feels like to be on the receiving end of such snubs (both intentional and unintentional), so I applaud Edim for standing up for herself.

This was definitely a worthwhile read, one that was made even more special with its message about the power of books to not just entertain, but also inspire, heal, and serve as a refuge during moments when it is most needed.  This one is especially good on audio, where Edim’s lively narration adds an emotional element that without a doubt enhances the reading experience.  And yes, the book recs are a wonderful bonus!

Sunday, April 26, 2026

Review: A Living Remedy (by Nicole Chung)

My Rating: 4.5 stars

Nicole Chung’s second memoir is a poignant love letter of sorts to her parents, both of whom pass away less than one year apart – her father from diabetes and kidney disease in 2019, and her mother from cancer in 2020, during the height of the COVID-19 pandemic.  Chung’s grief is palpable as she recounts the tragedy of her parents’ deaths and her own helplessness in being able to do much for them, both due to financial hardship and physical distance. Mixed in with the pain of losing her parents – both of whom loved her deeply -- is the guilt that comes from feeling that she abandoned them by leaving behind the rural hometown that she grew up in as soon as she could, in pursuit of a life that couldn’t have been more different than what she had known.  Alongside that is the feeling of rage that followed Chung almost incessantly as she gradually begins to understand the role that deep-rooted inequalities in America’s healthcare system played in the premature deaths of both her parents, who were only in their 60s when they passed. In highlighting these disparities, Chung is not vindictive – instead, she lays out the challenges that her parents encounter with the system, and in so doing, not only gives voice to their experiences, but also provides an insightful look into the frustrations of a system that, in its deliberate complexity, is neither meant to be fair nor equal.

Chung’s account of her parents’ experiences especially resonated with me due to my own mother’s health issues, many of which are similar to her parents’: diabetes, kidney disease, breast and uterine cancer, high blood pressure, irregular heartbeat, just to name a few.  I understand the difficulties of having to navigate a complicated healthcare system that, at the end of the day, often times leads to disappointment and despair.  I could also relate to Chung’s worry for her parents as well as the guilt that comes from not being by her loved ones’ side when they needed her most.

This was a heartbreaking read, but also an insightful one that gave me so much to think about and reflect upon, both as it pertains to my own family situation as well as the overall state of the healthcare system in this country.  I definitely recommend this searing, honest memoir, especially the audio book version, which, even though not narrated by the author herself, was still powerful and poignant in its recounting of the everyday realities and struggles of ordinary people trying to live their lives.

Monday, February 23, 2026

Review: Between Two Kingdoms: A Memoir of a Life Interrupted (by Suleika Jaouad)

My Rating: 5 stars

I had actually received an ARC of Suleika Jaouad’s memoir a couple of months before it was first published back in February 2021, but with the COVID pandemic in full force, plus all the chaos and uncertainty that accompanied the situation at the time, I decided to put off reading this until I felt ready to handle such a heavy read.  Of course, as these things usually go, life and work got the better of me and here I am, only able to get to this one more than 5 years later.  But in a way, things worked out in the end, as just getting to this memoir now meant that I got to listen to it via audiobook, with the author narrating her story first hand, which added a personal element that made the reading experience more poignant and emotional (the audiobook also features music by Suleika’s husband, Jon Batiste, which made this even more memorable).

In her memoir, Suleika recounts her journey battling leukemia, from the moment she first receives the devastating diagnosis on the cusp of her 23rd birthday, through the nearly 4 years of grueling treatment that she had to undergo, and then her subsequent recovery, including having to learn how to re-enter the world and restart her life anew.  She achieves the latter by embarking on a 100-day road trip where, accompanied by her dog Oscar, she travels across the country to meet several of the people who had written to her when she was in the hospital – a trip that proves critical in helping Suleika come to terms with her own harrowing journey “between the kingdom of the well and the kingdom of the sick.”

Given the subject matter, this was not an easy read by any means, as Suleika provides a brutally honest and candid account of her experience and I will be honest in saying that some of the more explicit descriptions of her illness and treatment were a struggle to get through.  With that said though, I found Suleika’s story not only moving and inspiring, but also poignantly resonant given the various battles with cancer that my own family has endured.  I especially admire Suleika’s resilience and strength in the face of the huge toll – physical, mental, psychological, emotional – that such an illness can take on both the person afflicted as well as the family and friends around them.

As is often the case after I read such moving memoirs as this one, I felt compelled to read up on how Suleika Jaouad is doing currently and was saddened to learn that her leukemia returned in both 2022 and 2024, and she had to get a second bone marrow transplant as well as continue chemotherapy - but at the same time, it’s heartening to see the huge community of family, friends, and fans rallying around her with love and support, helping her get through each harrowing ordeal.  I wish her and her loved ones all the best!