Monday, October 7, 2019

Review: The Dutch House (by Ann Patchett)


My Rating: 4.5 stars

I don’t think it would be an exaggeration to say that I’m probably one of the few people on this planet who, up until now, had never read an Ann Patchett novel.  Despite the fact that Patchett is an author I’ve wanted to read for a long time --  I’ve had most of her previous works on my TBR for quite some time and even own physical copies of several of her books -- I unfortunately have not had the opportunity to actually crack open any of them.  Of course, all that changed last week when I saw that the next book on my seemingly never-ending ARC list would be Patchett’s newly released eighth novel The Dutch House (published in September 2019) – I was thrilled that I would finally be able to experience one of her works for myself, though at the same time, that also meant I would be going into this one with relatively high expectations.  Luckily, this one ended up being a wonderful read, even better than I expected, which honestly doesn’t happen often.

The story is narrated entirely from the perspective of Danny Conroy, who is only a boy of 8 years old when the story opens.  His sister Maeve, herself only a teenager at 15 years old, took Danny under her care after their mother Elna left them 5 years ago.  Both children live in the Dutch House, a see-through glass mansion of sorts that their father Cyril, a real estate developer, had bought as a surprise gift for their mother.  Cyril is a distant father who is always consumed with his work and aside from providing his children with the necessities  — a cook to prepare food for them to eat, a housekeeper to tend to the household duties, a nanny to tend to their day-to-day needs — he could never be bothered with much else beyond that.  But Maeve and Danny had each other to lean on and along with the love of their housekeeper and cook (sisters Sandy and Jocelyn who had been hired by their mother back in the day), they were relatively happy and content with their lives.  All that changes however when Cyril decides to marry a young woman named Andrea, who moves into the Dutch House with her 2 daughters in tow — the profound impact that this decision ends up having on Danny’s and Maeve’s futures becomes the basis upon which the entire story revolves.

This story is billed as a family saga spanning 5 decades, which initially made me think that it would be so epic in scope that it would take a longer time to read, but in actuality, I devoured this one, not wanting to put it down once I started.  Patchett is a masterful storyteller and her writing here absolutely captivates — I was hooked from the very first page, not just to the story but also to the characters.  It’s extremely rare for me to already like and connect with a story’s characters within the first few chapters, but that’s exactly what happened with Danny and Maeve — two characters I loved from the beginning and who continued to grow more endearing as the story progressed.  While all of Patchett’s characters in here were nuanced and well-developed (even most of the minor characters), what made me gravitate to Danny and Maeve the most was the unshakable bond that these two siblings shared throughout their lives – a bond that continued to exist despite everything that happens, no matter how many times their relationship is put to the test.  Needless to say, I was genuinely moved by their relationship. 

Speaking of characters, of course the Dutch House itself also existed as a “character” central to the story, however the beauty here is that, even though its presence was continually felt throughout the story, it never once overtook the other characters.  Despite the house’s significance to the plot, it was quite clear from beginning to end that the story itself belonged to Maeve and Danny.  In this regard, the house serves as a connection to their past and while this past is what shapes who they eventually grow up to become as adults, it is also how they deal with this past that forms the crux of their story.  Here, again, the brilliance of Patchett’s writing comes into play, as the transitions between past and present throughout the book were seamless – no easy feat given the extensive timeline that the story covered plus the fact that the plot jumped around from one situation to the next in no particular order.

Up until the last few chapters, this actually had all the makings of a 5-star read for me – the reason I eventually decided on 4.5 stars was mainly because I wasn’t fond of the ending and also didn’t like how a few plot points played out in the lasts few chapters.  Though I must admit that I also had some issues with the character of Elna Conroy (Danny and Maeve’s mother) – things that made her character come across too unrealistic for me and made it difficult for me to wholeheartedly accept some of the situations that happen because of it.  This small complaint aside, I still consider this book a masterpiece – not quite perfect, but a masterpiece nonetheless.  While I eagerly wait to see what Patchett has in store for us next, there’s no doubt that I will be exploring her backlist of previous works very, very soon!

Received ARC from Harper via Edelweiss.   

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